Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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TIEPOLO, Giovanni Domenico
An Allegory with Venus and Time

ID: 43275

TIEPOLO, Giovanni Domenico An Allegory with Venus and Time
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TIEPOLO, Giovanni Domenico An Allegory with Venus and Time


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TIEPOLO, Giovanni Domenico

Italian painter, Venetian school (b. 1727, Venezia, d. 1804, Venezia). Italian painter and printmaker. He was apprenticed to his father, Giovanni Battista Tiepolo, in Venice in the early 1740s and worked with him in Madrid from 1762 until the elder's death in 1770. His most notable early works are the chinoiserie decorations of the Villa Valmarana in Vicenza (1757). Back in Venice, he executed several frescoes and paintings of scenes from the commedia dell'arte. A talented genre painter and caricaturist, he was famous for his many engravings and etchings after his own and his father's designs.   Related Paintings of TIEPOLO, Giovanni Domenico :. | Thetis Consoling Achilles | Ball in the Country sg | The Apotheosis of the Spanish Monarchy | The Virgin Appearing to St Philip Neri 1740 | Pulcinelle on the Tightrope |
Related Artists:
Mir, Joaquin
Spanish Painter, 1873-1940
DUGHET, Gaspard
French Baroque Era Painter, 1615-1675 Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet's career into three periods.
Fernand Hodler
Day I,1899-1900






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